COPY OF STUDIED WORK: Poetry Unit

'If We Must Die'

If we must die -- let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursed lot.
If we must die -- oh, let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
Oh, Kinsmen! We must meet the common foe;
Though far outnumbered, let us still be brave,
And for their thousand blows deal one death-blow!
What though before us lies the open grave?
Like men we'll face the murderous, cowardly pack,
Pressed to the wall, dying, but -- fighting back!

~Claude McKay

BIOGRAPHY

Claude McKay was born in Jamaica, West Indies, in 1889. He was educated by his older brother, who possessed a library of English novels, poetry, and scientific texts.

At the age of twenty, McKay published a book of verse called Songs of Jamaica, recording his impressions of black life in Jamaica in dialect. In 1912, he travelled to the United States to attend Tuskegee Institute. He remained there only a few months, leaving to study agriculture at Kansas State University.

In 1917, he published two sonnets, "The Harlem Dancer" and "Invocation," and would later use the same poetic form to record his reactionary views on the injustices of black life in America. In addition to social and political concerns, McKay wrote on a variety of subjects, from his Jamaican homeland to romantic love, with a use of passionate language.

During the twenties, McKay developed an interest in Communism and travelled to Russia and then to France where he met Edna St. Vincent Millay and Lewis Sinclair. In 1934, McKay moved back to the United States and lived in Harlem, New York. Losing faith in Communism, he turned his attention to the teachings of various spiritual and political leaders in Harlem, eventually converting to Catholicism.

McKay's viewpoints and poetic achievements in the earlier part of the twentieth century set the tone for the Harlem Renaissance and gained the deep respect of younger black poets of the time, including Langston Hughes. He died in 1948.

(source www.poets.org)